This article contributes to studies of how inequities of power are naturalized in culture through the idea of “screen images,” a form of shared projective thinking. Screen images develop when socioeconomic reality contradicts shared cultural values and thus produces moral anxiety. The screen images we trace are those of the Lady and the Whore in bourgeois Victorian cultures, which we believe represented compromised versions of female sexual agency. Although these images originated in Victorian models of sexual difference, we show that they continue to shape models in 20th-century medicine, primatology, and evolutionary social science. These screen images reveal a historically persistent denial of agentive sexuality in women and have served as a defense through which people have avoided confronting the socioeconomic bases of gender inequality.