In these five short reviews, the photographic work of Diane Arbus is illuminated from different personal and professional perspectives, ranging from interpreting her photographs as a sort of theft—taking something away from the individuals she photographed—to an intense desire to partake in a world of human beings living on the edge of society. The question occupying all reviewers is how Arbus's personality and style allowed her to enter into the worlds of demimondes, nudist camps, and dominatrixes without necessarily exploiting the privileged position she earned to occupy visávis her subjects.