You do not currently have permission to view the full text for this document. Please sign in to an account with an active subscription or contact support.
This introduction to a collection of essays by Adrienne Harris, Gregory Tentler, and Laurence Hegarty briefly highlights the main theme explored: central aspects of Forrest Bess's work and their relations with his personal struggles and with the artistic discourse that provided him with points of reference and audiences during the 1940s through the 1960s.