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Intended as spoken reflection, VirJinn explores queer Muslim sexuality through distinct, layered, and related stories. Personal, familial, cultural, religious, national, political, and psychoanalytic narratives are positioned among, against, and within one another to highlight the inevitable traps they comprise. Subversive humor, as an analogue of polymorphous perversity, is used to illustrate the multiple scales on which queer Muslim life is extracted as resource. The term VirJinn is a nod to queer Muslim sexuality in its persistence, evading human surveillance and the stories that attempt to regulate it.