For millennia, breasts have been a common subject in art, acting as potent symbols. They have been utilized in a variety of creative expressions, ranging from being fetishized to being viewed as emblems of motherhood. However, after the women’s rights movement, there was a deeper critical examination of how the female body was depicted in art, acknowledging its role in shaping gender stereotypes. As a result, once the female body became a political category, the way it was portrayed in visual arts changed. In this article, I explore the work of two contemporary visual artists, Kara Inez and Suzanna Scott, as they examine the concept of the “Abject” in representing breasts. I have examined the artists’ works and their connections to societal conceptions of subject/other, internal/external, and pure/impure using the idea of “Abject.” The article reveals how abject depictions of the female body in modern art might be used to develop a rhetoric of transgression and reform that would challenge the social norms around the female body.