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This is a terrible week. Why it is such a bad week is hard to say. Somehow Mrs Klein is not in such close touch with Richard and even loses her temper with him a bit on the Friday. It might be instructive to review the Thursday session in detail to to see what went wrong and why it is a rather heartbreaking session. The theme of the ‘baby tank’ which began developing five weeks before has become central now. The water tank in the kitchen has become not only the ‘baby tank’ but the ‘milk tank’ as well. The very central issue is the killing of the flies and putting them in the milk and whether the milk is dirty and poisonous. In this week Mrs Klein has lost the formulation she found the previous week, the one that seems to be the climax of the treatment. Instead she keeps going back to the problems of castration anxiety and the competition with the father, all of which is quite true, but not central any longer. It is a complicated week. The threat of the ending hangs over the whole procedure and Richard can often hardly bear to think about it. But it is also very complicated in other ways concerning mainly the two bus conductresses, the pretty one who says, ‘Stand up’ and the other one who does not, and the dark-blue uniform.
To the Monday session he brings the weekend dream that he changed analysts, to a dark-blue analyst, the woman in dark blue with her dog named James. When Richard insists on Mrs Klein's prettiness she notes that he was really placating her like an unfaithful lover. It arises again about his tie which was tied for him by a maid at the Wilsons. It is a little difficult to tell what this theme is, but one strongly suspects that his mother was a rather pretty woman. His attachment to her beauty and the infantile attachment to the beauty of the breasts as an aesthetic object, has entered into the treatment in a very powerful way that tends to replace the dichotomy between the light-blue mummy and the dark-blue mummy. It has some reference to his looking