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This is a welcome addition to books on the subject of social dreaming, presenting a fresh look at some aspects of, and a different way of thinking about, social dreaming beyond a Lawrencian perspective and providing an alternative to recent developments in the work of Susan Long and Julian Manley (2019). In this book, Pasini and Trimboli offer the “Italian touch” to social dreaming work which has largely been centred in the Anglo-Saxon world. This is a testament to what might now be termed the Italian tradition founded on the work of Lilia Baglioni and Franca Fubini (2013). The perspectives offered in Pasini and Trimboli's book provide theoretical perspectives that are both Jungian and narrative. While not entirely new (for example, Helen Morgan has consistently provided a Jungian perspective on social dreaming (Tatham & Morgan, 1988)), the manner of presentation in this book comes across as stimulating and interesting, including detailed descriptions of archetypal myths that seem to the authors to immediately resonate with the social dreaming matrices under discussion. This develops previous Italian work on social dreaming and archetypal myths (Agresta, 2019). There is also an entire chapter on the “Narrative and semiotic approach” to social dreaming. Furthermore, the book is illustrated with colour photographs that emphasise the visual nature of the dream material, which is very welcome when considering the different “language” that social dreaming employs in participants' minds which can sometimes get lost in words.
One of the most interesting proposals in the book is the introduction of the idea of the “habitat” of the matrices, which Pasini and Trimboli use to define a common frame for the collection of images gathered at the end of each matrix. The habitat of the matrix is a meaning-making framework where the principal images from the matrix can be set against and with each other to exemplify the emergent meaning-making process of social dreaming. The choice of